Coming Soon: Season 16 of Desperate Motherfucking Housewives
Monday, April 30, 2007

We all know the accepted orthodoxy on the ongoing demise of network television. Specifically, that in a million-channel universe, the old oligopoly crumbles under the sheer weight of choice. While I think that may very well be the case with regards to news and information, I think original programming is another matter altogether. In this regard, it is not a question of quality, nor quantity, but one of durability.
Cable outlets are allowed to explore the dark side of humanity in a way that inherently makes their product better. What if “Desperate Housewives” were allowed to be explicit in their characterization of “the slut” or “the gold digger” the way that “The Sopranos” or “Six Feet Under” are? The unvarnished qualities that make HBO and Showtime so believable, and watchable are the very same things that lend depth to their characters and longevity to their story lines. Why do we moan when they announce a third season of “Lost” but scream in outrage when we only get two seasons of “Rome”?
Simply put, the ability to say “fuck” on television makes for deeper characters and deeper characters lead to longer runs.
So it would seem that network televison is perenially hobbled by their long ago self-imposed Standards and Practices model of self-censorship. But here is where the million channel universe can help.
My wife loves hip hop. However, she hates words like “bitch”, “ho” and “nigga”. Luckily for the hip hop lover in her, the slightly prudish side of her can cruise over to the iTunes music store, click on Ludacris’ latest album and buy it in either “Clean” or “Explicit” versions. In most cases, the “Clean” cuts aren’t simply beeped out, they are rather re-engineered to scratch the “b” out of “itch” (often times, these edits are more interesting than the originals, using auditory change-ups from syncopated beats to car alarms to the sound of toasters popping to disguise the dirty).
Given that the future of original content is in $2 downloads, why can the networks not start now – simply by editing two cuts of their product: one for the way people really talk, and one for the way people in the 1950s would have liked for themselves to have talked. Trust me, they won’t run out of ideas for characters when the characters actually have ideas of their own.